Project Gutenberg (2018) 720p YIFY Movie

Project Gutenberg (2018)

Mo seung is a movie starring Yun-Fat Chow, Aaron Kwok, and Jingchu Zhang. The Hong Kong police are hunting a counterfeiting gang led by a mastermind code-named "Painter". In order to crack the true identity of him, the police...

IMDB: 7.22 Likes

  • Genre: Action | Crime
  • Quality: 720p
  • Size: 1.10G
  • Resolution: 1280*800 / 23.976 fpsfps
  • Language: English
  • Run Time: 130
  • IMDB Rating: 7.2/10 
  • MPR: Normal
  • Peers/Seeds: 112 / 791

The Synopsis for Project Gutenberg (2018) 720p

The Hong Kong police are hunting a counterfeiting gang led by a mastermind code-named "Painter". In order to crack the true identity of him, the police recruits gang member Lee Man to unmask "Painter's" secret identity.


The Director and Players for Project Gutenberg (2018) 720p

[Director]Felix Chong
[Role:]Aaron Kwok
[Role:]Jingchu Zhang
[Role:]Yun-Fat Chow
[Role:]Catherine Chau


The Reviews for Project Gutenberg (2018) 720p


A Cinematic Homage to A Better Tomorrow, A Perfect Counterfeit in Non Liner Narrative StyleReviewed byhilaryswank2011Vote: 10/10

Project Gutenberg (2018) is clearly a non liner narrative structure film because audiences find that every thing we see after the arrest of the protagonist, counterfeit artist Lee Man (Aaron Kwok) who is extradited from Thailand to Hong Kong police jurisdiction ''counterfeited'' his background story and the mysterious antagonist "Painter" as someone played by the Hong Kong super star Chow Yun-fat.

Every one knows Chow Yun-fat as Mark Lee. And this film actually paid homage to the well known legendary character. However "Painter" 's personality in this film is cruel, bloodless and more close to mafia.

Like Rigor Mortis (2013), audiences also realise that the entire story is layered fictional reality which created by the inner character. 'Fictionalised reality within the fictional tale' was consciously dealt by its fictional character itself.

It's typical defamiliarization in narrative structure however the risk is possible disappointment of audiences who want and believe the simple and not layered fictional reality in the simple fictional tale.

Non-linier narrative can create parallel world, a small universe with in narrative structure like In the Mouth of Madness (1994; Dir. John Carpenter).

For instance, the cruiser sequences are repeated twice from different action Lines of HK police and the counterfeit bank notes organisation led by "Painter". This is a surrealistic intercut rather than cross cutting in liner narrative films.

For editorial aspect, the uniqueness of ''montage sequence'' is that its aesthetics is more affected by photoshop-like layer concepts. We can see characters shapes are turned into layers in mono colour, and dissolve into the next land scape layer which appears from the cropped shapes of characters.

When Lee Man (Aaron Kwok) travels through Europe, Asia, North America with his counterfeit colleagues to seek perfect counterfeit technology to imitate the new US dollars in 1996, this kind of montage sequences appear.

Besides this, the fake explosion scene in the testimony of Lee Man (Aaron Kwok) especially represents the aesthetic nature of the entire film.

This methodologically deceptive solution fits the theme ''counterfeit''. In which Lee Man's testimony about the upcoming violence from ''The Painter"ends up with '' imaginal explosion'', after that film reverses the time to back to ''reality'' from this imagination.

The director Felix Chong throughly did his research on counterfeit bank notes and purchased a 7-ton real currency press, which cost HK$100,000, which was able to create realistic looking counterfeit currency, which had to be reported to the Monetary Authority. The art director Alan Mak should be mentioned due to his huge contributions to this film.

You can not find more realistic counterfeit banknotes film in the past decades. Moreover, this counterfeit film's methodological solutions and its non liner narrative structure fit the nature of its theme ''counterfeit''. This artistic achievement should be complemented.

This film explores fictional reality and its fictional universe with in a fictional film. The content and form are perfectly unified in to ''counterfeit'' structure and its ''counterfeit''stories. This is one of successful Asian film cooperation among Mainland China, Hong Kong and Thailand. The quality is only getting better.

Awesome Story with Two Great Actor!Reviewed byyksamsungroxVote: 9/10

Definitely one of the most enjoyable Cantonese Movie I ever watch for the past few years! Strongly recommended to anyone

classic HK movie!Reviewed bygwunlouVote: 8/10

No one can deny how Chou is important in HK movie in 80s. You cannot imagine that he is actually an unimportant role in the whole story :)

It is not that kind of traditional police and gangster movie with only boom and block buster. The process of counterfeiting cash is also new to audience, at least to me! The mystery of "painter" is well worth discovering as the plots goes on. It is not simply about split personality as the usual movies, which is unable to finish a complete story without it. The ending matches "counterfeit" pretty well, given 90% of movies is talking about how they successfully cheat and hide.

The idea of the story is awesome! However, 2 points are deducted for ending. Don't know if it is for the reason to be on publicly for all audience. The final explosion seems unnecessary.

This movie still gives us hope as Infernal Affairs: HK movie is not dying.

Looking forward to the sequel! (I believe there will be)

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